Yuri Kuper Russian/British, b. 1940
Yuri Kuper’s paintings and mixed-media works explore the traces of time through still life, landscape, and found materials. Brushes, tools, and vessels recur within muted, weathered surfaces, sometimes rendered in paint and sometimes attached to the support. His landscapes and seascapes extend this attention to texture and atmosphere beyond the isolated object.
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Still Life with Funnel, 1998 -
Box, Circa 1995 -
Tree from the Snow Series, 1990 -
Saw on the Snow, 1994 -
Old Book with Flowers, 1997 -
Memories of Tin Soldiers, Circa 1980 -
Basement Window Through the Snow No. 2, 1994 -
Diary Book w/ Flowers No. 17, Circa 1990s -
Easel, 1989 -
La Boite, 1982 -
Le Tiroir, 2002 -
New York Portfolio #12, 1997 -
New York Portfolio: Snow in the City #2, 1999-2000 -
New York Portfolio: Snow in the City #3, 1999-2000 -
New York Portfolio: Snow in the City #8, 1999-2000 -
Seau au Robinet, 1994 -
Silver Tube, 1999 -
Still Life with Chair, 1974 -
Still Life with Ink Pot, Circa 1990 -
Still Life with Letters, Circa 1989 -
Still Life with Two Apples, 1999 -
Table with Apple, 1997 -
Table with Tray and Matches, 1997 -
Two Locks, 1994 -
Untitled, 1995 -
Untitled, 1990 -
Untitled (Doorway), 1983 -
Untitled (Lock), 1988
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Group Show: Gallery Artists
Thomas Struth, Nathan Oliveira, Ross Bleckner, Donald Sultan, Jannis Kounellis, Isabelle de Borchgrave, Miguel Condé, Eric Freeman, Yuri Kuper, Jean-Pierre Rives, and Jordan Doner 3 Dec 2020 - 3 Dec 2021Read more -
Tàpies, Olle, Kuper: Surface Obsession
18 Nov 2002 - 24 Jan 2003Read more -
Yuri Kuper
8 Feb - 4 Mar 2000Read more -
Yuri Kuper
San Francisco 1 - 30 Sep 1998Read more
Born 1940, Moscow, Russia; lives in France and New York City
Yuri Kuper's work is steeped in time, memory, and silence. Born in Russia in 1940, Kuper received thorough training in Beaux Arts drawing and painting at the Moscow Art Academy. After leaving Russia for Israel in 1972, he moved to London in the same year and later settled in France. Today, Kuper splits time between his country home in Normandy and a second studio in New York City.
Kuper paints old objects-typically found covered in dust in the corners of pantries, attics, and flea markets or discarded on the streets-with a sense of reverence, calling the viewer to examine their aesthetic qualities and discern between his artistic interventions and the markings of time, nature, and use. Drawing from a limited collection of iconography, including spoons, saws, and paint brushes, he works with worn-out objects in various fashions, such as rendering them through painting and mixed media, attaching them directly onto a surface, or modifying the objects themselves.
Yuri Kuper's work appears in the collections of the Museum of Modern Art, the Metropolitan Museum of Art, the Staatliche Museen Preussischer Kulturbesitz, Berlin, and the Achenbach Foundation for Graphic Arts at the Fine Arts Museums of San Francisco, among others. In 2020, his solo exhibition was on view at the Accademia delle Arti del Disegno in Florence, Italy.
Kuper’s 1995 exhibition at the Pushkin State Museum of Fine Arts is documented in the exhibition catalogue. Works shown include Saw on the Snow and Basement Window Through the Snow No. 2, both made in 1994.
