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Working Girls: An American Brothel Circa 1892: Photographs by William Goldman

Past exhibition
15 Novembre - 9 Décembre 2018
  • Présentation
  • Vues de l'exposition
  • Œuvres
  • Presse
  • Communiqué de presse
Présentation
William Goldman Untitled, 1892 Gelatin silver print 3 1/2 x 5 in (8.9 x 12.7 cm) 3 7/8 x 5 3/4 in (9.8 x 14.6 cm) paper size
William Goldman
Untitled, 1892
Gelatin silver print
3 1/2 x 5 in (8.9 x 12.7 cm)
3 7/8 x 5 3/4 in (9.8 x 14.6 cm) paper size

“These images were compelling individually but as a whole, they captured an unseen world of negotiated passion in American life, written about extensively but rarely, for good reason, documented visually. Multiple feelings of curiosity and excitement came over me after finally realizing the potential importance of these photographs. There was also a recognition that their acquisition carried responsibility to find out the story, which lay hidden behind those faces and figures from another era.”

 

—Robert Flynn Johnson, Curator Emeritus, Achenbach Foundation, San Francisco Fine Arts Museums

Representing the global premiere of never-before-seen images by American photographer William I. Goldman, the exhibit debuts in conjunction with the release of a recently published book by art historian and curator Robert Flynn Johnson, Working Girls. The exhibition and book feature imaginative and artful photographs, which capture the artist’s deep appreciation and understanding for women who, circa 1892, lived and worked at an upscale brothel in Reading, Pa.
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Vues de l'exposition
  • Img 1758
  • Img 1749
  • Img 1756
  • Img 1748
  • Img 1763
Œuvres
  • William Goldman, Untitled, 1892
    William Goldman, Untitled, 1892
  • William Goldman, Untitled, 1892
    William Goldman, Untitled, 1892
  • William Goldman, Untitled, 1892
    William Goldman, Untitled, 1892
  • William Goldman, Untitled, 1892
    William Goldman, Untitled, 1892
  • William Goldman, Untitled, 1892
    William Goldman, Untitled, 1892
  • William Goldman, Untitled, 1892
    William Goldman, Untitled, 1892
  • William Goldman, Untitled, 1892
    William Goldman, Untitled, 1892
  • William Goldman, Untitled, 1892
    William Goldman, Untitled, 1892
  • William Goldman, Untitled, 1892
    William Goldman, Untitled, 1892
  • William Goldman, Untitled, 1892
    William Goldman, Untitled, 1892
  • William Goldman, Untitled, 1892
    William Goldman, Untitled, 1892
  • William Goldman, Untitled, 1892
    William Goldman, Untitled, 1892
  • William Goldman, Untitled, 1892
    William Goldman, Untitled, 1892
  • William Goldman, Untitled, 1892
    William Goldman, Untitled, 1892
  • William Goldman, Untitled, 1892
    William Goldman, Untitled, 1892
  • William Goldman, Untitled, 1892
    William Goldman, Untitled, 1892
  • William Goldman, Untitled, 1892
    William Goldman, Untitled, 1892
  • William Goldman, Untitled, 1892
    William Goldman, Untitled, 1892
  • William Goldman, Untitled, 1892
    William Goldman, Untitled, 1892
  • William Goldman, Untitled, 1892
    William Goldman, Untitled, 1892
  • William Goldman, Untitled, 1892
    William Goldman, Untitled, 1892
Presse
  • ‘Working Girls’ Photographed and Memorialised

    Lucy Corkish, The Courtauld, Documenting Fashion, Décembre 4, 2018
  • Unseen Photos Show Sensitive Side to Early Prostitution in America

    Dita Von Teese’s foreword to Robert Flynn Johnson’s "Working Girls: An American Brothel, Circa 1892," offers insight to the photographs behind these early working girls.
    Tess Adamakos, Inked Magazine, Novembre 30, 2018
  • ‘Working Girls’ Exhibit at Sorokko Gallery a Secret Peek into 19th Century Brothel

    Jennifer Raiser, San Francisco Chronicle, Novembre 29, 2018
  • Unseen Photos Provide a Sensitive Look at America’s Early ‘Working Girls’

    Dita Von Teese, CNN, Novembre 29, 2018
  • Nothing Coy About These ‘Working Girls’ Photographs

    Leah Garchik, San Francisco Chronicle, Novembre 20, 2018
  • Serge Sorokko Gallery Debuts Rare Collection of Working Girls Photographs

    Katie Sweeney, Haute Living, Novembre 16, 2018
  • The Brothel-hood of Man: Photos from Late-19th Century Bordellos

    Jonathan Curiel, SFWeekly , Novembre 15, 2018
  • Insightful and Evocative “Working Girls” Photos Discovered in the Bay Area

    Rachel Ralph, SF Station, Novembre 10, 2018
Communiqué de presse
Serge Sorokko Gallery to Debut Working Girls Exhibit of Rare, Never-Before-Seen Photographs of a 19th Century Brothel by William I. Goldman
 
Exhibit Represents Earliest Known Photos of Life in an American Brothel from Robert Flynn Johnson’s New Book, Working Girls, and Serge and Tatiana Sorokko’s Personal Collection

 

SAN FRANCISCO (October 29, 2018) – Serge Sorokko Gallery today announced its upcoming exhibition: Working Girls: An American Brothel Circa 1892. Representing the global premiere of never-before-seen images by American photographer William I. Goldman, the exhibit debuts in conjunction with the release of a recently published book by art historian and curator Robert Flynn Johnson, Working Girls. The exhibition and book feature imaginative and artful photographs, which capture the artist’s deep appreciation and understanding for women who, circa 1892, lived and worked at an upscale brothel in Reading, Pa.

 

The project began nearly 15 years ago when Johnson came across the bordello scenes at a vintage paper fair in Concord, Calif. Fascinated by the beautiful, Degas-like images, Johnson shared the shots with Serge and Tatiana Sorokko who went on to purchase a large portion of the collection. Over a decade later, Sorokko, a prominent art dealer, publisher and owner of Serge Sorokko Gallery in San Francisco, will showcase 25 photographs by Goldman, for which no negatives are known to exist, including 20 never-before-seen images and five images featured in Working Girls.

 

“Robert is a talented author, brilliant curator and a dear friend. When he reached out to me almost 15 years ago regarding these striking photographs of unnamed women, I knew immediately he must have come across something extraordinary. At the time, our knowledge about the pieces was minimal – what we saw were captivating, raw and provocative images that captured the authenticity of these women’s everyday lives,” recalled Sorokko. “After more than a decade of exhaustive research executed by Robert, it was then that we confirmed our earlier impression of the uniqueness and artistic and historical significance of the photographs. Providing glimpses of modernism and insights into the culture, sociology and fashion of the times, I am proud to debut them to the world at Serge Sorokko Gallery.”

 

As famed burlesque dancer and Working Girls contributing writer Dita Von Teese notes, “The local photographer and his anonymous muses appear to straddle an artful titillation, at times striving toward Degas nudes and at another, more in the spirit of a strip and tease. There is beauty in even the most mundane moments.” Von Teese, along with Professor Ruth Rosen and Dennita Sewell, are among three distinguished female authors enlisted by Johnson to provide insightful essays into the significance of these photos, which are of the same subject matter explored by artists like Degas, Lautrec, and Picasso explored in the 19th and 20th Centuries.

 

In addition to their evocative, sometimes ravishing nature, the photographs present insight into the era’s fashion often spotlighting stockings as seductresses’ accessories. The various fashion ensembles highlighted in these works help to further tell the stories of the women pictured. Johnson commented, “These images were compelling individually but as a whole, they captured an unseen world of negotiated passion in American life, written about extensively but rarely, for good reason, documented visually. Multiple feelings of curiosity and excitement came over me after finally realizing the potential importance of these photographs. There was also a recognition that their acquisition carried responsibility to find out the story, which lay hidden behind those faces and figures from another era.”

 

With each image carrying a persona of its own, Johnson, curious to know more, began an investigation into their origin, authorship, and purpose and unearthed an impressive trove of information about more than two hundred vintage photographs of the Reading women. From inside the brothel, posing artistically for the camera, to their off-duty routines, the images portray the depth and diversity of the subject matters while offering a deeper understanding of the private world of the Reading brothel and the women who inhabited it.

 

Johnson, a curator emeritus of the Fine Arts Museums of San Francisco where he worked for 32 years, used these photographs to detail their historical and sociological importance in the history of photography, alongside essays by noted feminist Ruth Rosen and prominent fashion historian and author Dennita Sewell that provide a profound historical overview of these images in the context of the period in which they were taken. Combined with an insightful forward by Dita Von Teese, which dissects the art of seduction and performance of those times, Working Girls provides an intimate glimpse into the world and lives of these women.

 

Sorokko, along with his wife Tatiana Sorokko, a top-model, haute couture collector and fashion journalist, selected images that were both captivating and striking through their subject matter and detailed fashion. In addition to lending a hand in the original selection of works, Tatiana is co-curating the Working Girls exhibition. The Serge Sorokko Gallery is located at 345 Sutter Street in San Francisco. Working Girls: An American Brothel, Circa 1892 will run from November 15 – December 9, 2018.

 

About the Authors:

Robert Flynn Johnson is a curator emeritus, Achenbach Foundation for Graphic Arts, Fine Arts Museums of San Francisco. His books include Lucian Freud: Works on Paper, The Face in the Lens: Anonymous Photographs, and Anonymous: Enigmatic Images from Unknown Photographers.  His book Plant Kingdoms: The Photographs of Charles Jones was named one of the best photography books of the year. He lives in San Francisco, California.

 

Ruth Rosen, a professor emerita at the University of California, Davis, teaches history and public policy at UC Berkeley. She is editor of The Maimie Papers and author of The Lost Sisterhood: Prostitution in America 1990-1918. She is a former columnist for the Los Angeles Times and editorial writer and columnist for the San Francisco Chronicle. She lives in Berkeley, Calif.

 

Dita Von Teese is the brightest star in burlesque. Dita and her feline, Aleister, live under the gaze of the star-viewing Griffith Observatory in Los Angeles.

 

Dennita Sewell has been Curator of Fashion Design at Phoenix Art Museum since January 2000. Her exhibition catalogues include Way Haute West, Garden of Eden, Extending the Runway: Tatiana Sorokko Style, and Fashion Independent: The Original Style of Ann Bonfoey Taylor.

 

About Serge Sorokko Gallery:

Established in 1984, Serge Sorokko Gallery has built a solid reputation on its fine collection of contemporary art by internationally recognized artists. Located in the heart of Union Square in downtown San Francisco, the gallery features a range of original work from paintings and sculpture to works on paper and photography. Under the helm of founder and owner Serge Sorokko, the gallery has fostered many emerging artists while exposing collectors to prominent European and American artists such as Donald Sultan, Ross Bleckner, Hunt Slonem, Damien Hirst, Sol LeWitt, David Hockney, and others. For more information, visit www.sorokko.com.

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Media Contacts: Jenn Wade, Yasmin Imam or Blake Willahan at J. Wade Public Relations at sorokkopr@jwadepr.com or 415-325-5519.

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Artiste de l'exposition

  • William Goldman

    William Goldman

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Serge Sorokko Gallery

1500 First Street,  Napa,  California  94559    |    (415) 421-7770

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